вот жешь сукА, заболел

Ты там в дивинити играешь?

ну так 20 часиков наиграл

Как там дела с optimizacia?

Я пробовал её когда она была в раннем доступе и дела не очень хорошо обстояли. С графоном в целом.

Кстати поговаривают, что почти все сакуга моменты в аниму по одноударнику рисовали фрилансеры, которых завлёк туда режиссёр (некто Нацуме Шинго) за счёт своих связей. А не аниматоры медхауса. Собственно режиссёр съебался, поэтому медхаус поднял лапки к верху и не смог в тв2.

Зато медхаус сделает тв2 к Оверлорду)))000

ничего про сторонних аниматоров не говорилось

Question for Natsume-san: Many fans noticed that a lot of the animation staff involved also worked together on a previous show, Space Dandy. Did you make an effort to keep in touch?

Natsume-san: As far as the anime animators, the community is small. So even though we are working across different studios, we know each other, like recognizing names and faces. When we work on a production together, we put all our time, our blood, sweat, and tears in the production. So through that, we become friends and comrades and I made sure to stay in touch. It just happened that a lot of us came together after previously working on Space Dandy. A lot of them are from the same age/generation as me, so it was easy to get along with everyone. It was a lot of fun to be there at the studio.

Kubota-san: Another thing about the anime community, it’s not that one studio producing the anime is really good. The truth is the animation (sakuga) community isn’t tied to one studio. Most of them are freelance animators. So in the end, those animators are just borrowing those desks at the studio to work.

Many fans of One Punch Man hyped Madhouse’s participation with the anime, but it’s the loss of Shingo Natsume that should be mourned. The director had lots of ties within the industry which helped One Punch Man nab freelance animators. Chikara Sakurai is a noteworthy replacement as the artist animated plenty of Naruto episodes, but fans are concerned One Punch Man will lose much of its aesthetic next season thanks to the director switch-up.

This short but hectic career filled with exciting projects had its paradigm shift with Fullmetal Alchemist: The Sacred Star of Milos, Natsume's feature film debut. Assisting Kazuya Murata and with the legendary Kenichi Konishi supervising the animation, they crafted one of the most impressive movies the anime industry has ever – and will ever – put out. Animation was as much of a character in the film as anyone in the cast, and motion blatantly took preference over design consistency and such. It's a wild animation spectacle that fully cemented his status as a sakuga director who will always be willing to embrace distinct styles that might not have a place in regular productions. Since the anime industry is mostly based on freelance connections and acquaintances, the more projects he's involved with the more skilled individuals he will keep meeting, increasing the chances of that talent being a pillar in his next production. And so we can enjoy the work of Sejoon Kim – the best modern Gundam animator – as a regular animation director in One-Punch Man because he had been assisting Natsume doing a few cuts in the past. It can't be understated how much this series benefits from his pedigree.